This is a very classy venture from Spitfire, which is slightly left-field, making it all the better in terms of unique and inspiring sounds. Featuring unique spectral visualization of. Orbis is capable of loops, effected loops, crossfaded loops and all manner of pad-like ethereality. SpectraLayers Pro 5 offers unrivalled audio editing and sound design that you can not only hear but also see.
What really had me hooked in was the comprehensive but easy to use editing features, which are simplicity itself to use, but unbelievably effective when it comes to the final output. The freshness of the new Spitfire interface is worth noting in this setting, as it feels brilliantly thought-through. Like any good instrument, you dig a little deeper and find out what’s under the hood. Reviewer Dave Gale was particularly struck by it: “Orbis is a multi-faceted instrument of great intrigue. ACID Pro 7 software also includes over 3,000 Sony Sound Series loops and 1,000 MIDI files so you can start creating music right out of the box.
It was a collection that was unearthed by Spitfire co-founder Paul Thomson and made central to Orbis, which is an instrument that manages to add a huge creative layer to the collection, taking the sounds up a few notches by allowing you to play and interact with them in different ways. Version 7 has all of the core ACID Pro features: automatic pitch and tempo matching, real-time loop previewing, unlimited tracks, and our signature pick/paint/play interface. This collection has more of a world-class feel because its core is a set of sounds recorded and collected by composer David Fanshawe over many years of traveling across the globe. Orbis is an innovative departure for Spitfire Audio, a company so well regarded for its orchestral instruments.
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